I haven’t given up on these, it’s just that my means of contacting the people who win the sketches isn’t very efficient. The next winner is Mark Schleifer and he requested Wren. I’ll be dropping this in airmail this week. Don’t forget to check into the depression comix Patreon to win your custom sketch! You can also look here to see the other 20 Patreon sketches done so far.

Because I was gone to Canada for three weeks and I couldn’t make anything new during that time, $2.00 Patreon supporters were left without any special posts, and I said that I would make a couple of sketches as giveaways just for them.

Amy snagged this art of Jay, so I’ll be sending it off to her today.

I’m still doing the Patreon portraits, but no one has responded to their E-mail for a while 🙁 when I do, I’ll be working on them as fast as I can.

Here we are for another Patreon sketch, this one goes out to Rosemarie in Australia. Thank you very much! For her sketch, she wanted either Robin or Wren, but I can’t decide these things so the kind patrons at Patreon decided for me and Wren it was.

Wren is one of the more difficult characters to draw because of all the freckles. For the comic I used to draw them in individually in pencil but after a while gave up and did it in Photoshop instead. For the sketches however, I can’t use Photoshop at all so trying to find a way to do the freckles has always been a problem. In this case, I used a toothbrush and some watered-down ink which gave some nicer results but I lacked control — making concentrations of freckles for the cheeks, nose, and chin was nearly impossible. I went in and added more by hand but they look like freckles I added in by hand. Also, occasionally the splatter would form in a direction, looking more like s scratch than a freckle. I have a lot to learn.

Anyways, it’s done, I have to remember it IS a sketch and I don’t have the luxury of having an undo key. Every one of these is a learning experience and I’m glad to have done it.

I’ll be in Canada from July 25th to August 18th. I’ll be away from a scanner during that time, and I won’t likely have any place to draw these. But I have finished all the strips that will be posted during this time, so there will be no missed updates — something very important to me to keep the momentum doing these. During the summer you’ll see a lot of Robin (and a bit of Wren) as she gets a chance to come face-to-face with an old friend and how she deals with the anxiety and feelings that come with it. The Nope Door and The Plan also come back. It’s no coincidence that going back to my homeland for the first time in two years has made me think about the past, and it’s reflected in these strips.

Anyways, have a great summer and watch out for summer S.A.D. (the topic of the next strip). Even though I won’t have a scanner I’ll still be connected on Twitter (@depressioncomix for the comics and @claycomix is my personal). I’ll probably post a lot of what I’m eating because I won’t be able to eat it again when I return to Japan.

Arbo was the randomly-selected winner for the June 2017 Patreon sketch draw and he requested the child character from depression comix #200. This was a bit of a challenge for me because the way I had been drawing the sketches up until this point wasn’t going to work for this character, who I drew in a kind of Peanuts/Calvin kind of way. So instead of a portrait, I went for illustration instead.

This I inked entirely by paintbush to give it a newspaper comic feel, and added greytones with Copic markers. So in the end this was a fun and challenging sketch to do, something a little different, and I put it in the mail yesterday so Arbo should receive it within 2 weeks. Thanks for your support everyone!

My Patreon page – All the Patreon sketches in one place

Recently I received a message on Patreon about how to stay creative with depression. It wasn’t the first time I’ve been asked, so I thought it might be helpful to write this article. Hopefully, it might stimulate some discussion where we can all learn from each other on how to deal with both depression and the empty page.

(But first, a disclaimer. How I do it is currently working for me and my present state, however, depression varies and is a different experience for everyone who has it. I definitely don’t want to say this is the way it should be done, but only to state my thinking as something that has helped me and can be improved upon or even ignored based on your own situation. There might be something helpful in here and there might not be anything helpful at all, and I do not present myself as an Authority.)

Creative people have limitations. There are the obvious ones, like time, money, resources, skill, and they all affect our creative output. It becomes helpful to think of depression as another limitation. It’s not a limitation in the sense that it should stop you from being creative, but a limitation that makes us need to be more reasonable in what we can do. We have to learn to become more effective with what we have.

The first part is accepting depression as part of our work limitation. If we try to fight depression, it will win, it has control over our clarity of thought and can hinder creativity. It can make us second guess our best ideas and rid us of enthusiasm. It can make the first stroke of a pencil on a blank sheet of paper a Herculean task. There are just some days it is stronger than our will but that’s going to be a limitation we must deal with. We have to work within the limits imposed by depression, not to try to work against it.

But on the bright side, this doesn’t happen every single day. For me at least, depression comes in waves, and I know that there will days when the ideas come more easily and the work develops more naturally. Then there will be days when it feels I am made of dense rock and can barely think or create anything. This is just the way it is, and I can’t schedule it. It’s like the weather, it’s not entirely predictable when I’ll have my ups and downs.

In order to maximise productivity, I try to do creative work that fits in with my ups and downs. I separate the work into two categories: creative work I can do when I am feeling better, and more technical work I can complete during my lower phases. During my lowest phases, I may not be able to do anything at all, but this is all working within the limitations of depression, not trying to work around it or in spite of it.

UP PERIODS

When depression ebbs and I feel I can get work done, I use this period to generate ideas and put the pencil to the paper. I have two methods for generating ideas, I use Google Keep to keep written ideas and a small sketchbook for layouts and more fully developed strip ideas. I will also start the pencilling for strips and work on the dialogue. Basically I use this time to make major decisions with what I do while I have clarity of thought.

Recently I’ve been able to take some time for studying the process, reading books on anatomy and drawing skills. However, I’ve found doing this takes a lot more energy than being creative because I have to be really enthusiastic and be able to concentrate more.

Some things to do during an up period:

• Create. This is the time to jot down all the ideas in your head down, This is the time to make creative decisions. Anything you need a clear head to do this is the time.
• Learn. If there is some technique that you wanted to learn, there are lots of resources on the web, or visit a bookstore’s art section. I recently bought a few of Andrew Loomis’ books and I’ve found them incredibly full of useful information.
• Be inspired. Look at other people’s work. What I’ve found is that people are generally happy to share how they’ve done their work so you can see the process and get some hints for yourself. Go to an art store and take a look around. Your favorite pen or your favorite drawing instrument is just waiting to be discovered.
• Communicate. As a community of creative people, we are everyone’s teacher and everyone’s student.

DOWN PERIODS

When depression gets heavier and the ability to create or make decisions seems more distant, it’s this time when I do work which doesn’t require a lot of energy to do. I will ink strips, do word balloons, colour finished strips, do clean up on the computer and other tasks that are less intense and are more about embellishing what has been done than creating anything new. I will also do the more routine and mundane tasks such as organisation and work space area cleanup during these periods too.

There are other things I have trouble with in this period. One problem is writing and replying to E-mail. It seems to be especially hard to think of what to say and to have something meaningful to write down. My mind gets particularly fuzzy and I can’t seem to find what I want to say. Unfortunately I have a habit of procrastinating correspondence, because it’s difficult to do during down periods and it’s not something I want to spend precious up period time with.

A second problem is looking at other people’s work. When I’m in an up period, it’s easy to appreciate the work of others and try to find something to learn from it. I can see things I want to try and feel energized and inspired. However, when I look at other people’s work during low periods, I can only see what I cannot do, and feelings of hopelessness and despair start to form. The art I see only reminds me what I am incapable of and robs me of any inspiration I had. For a long time I stopped looking at the work of others because it only made me feel worse. When one stops looking, one stops learning, and one’s own art can stagnate.

REALLY DOWN PERIODS

I am really useless during these times and I haven’t figured out how to be productive. But they do occur, and I’ve found it’s best to just ride these out and let them take their course.

OTHER THINGS THAT HELP

1. Setting deadlines keeps me on track. It may not work for everyone, but it does give me a little push in knowing that the deadline is more important than the quality. Finishing things gives me more confidence than leaving things unfinished, even if the quality is not up to what I’d like. “I’ll do better for the next one, but in the meantime I have to finish this.” is something I quite often say to myself.

2. Maintaining routines helps. Having a routine will help you get through the down spells because it will be easier to switch to automatic pilot.

3. Try to refrain from doing the down period work during up periods. If I’m in the middle of a creative spell I need to leave some work to do for down periods. If I finish what I’m doing and after I have a down spell, I can’t use that time more effectively.

4. Try to have work set aside for the down periods. One thing that makes the time during the down periods melt away is to have something to do, although when you’re in a down period it’s not always easy to identify what needs to be done. Having some repetitive task like organization makes you feel like you are actually accomplishing something and being productive, which helps a lot.

In the end, I guess the bottom line is to know your limitations and find how you can best work within them. It’s not fatalistic to admit to yourself there are limits to what you can do, as there are always going to be some kind of limitation on what we do in a creative field. But understanding them and knowing what we are able to do during them will, I believe, boost our productivity as we match the tasks to our condition.

I may add more to this or make corrections in the future, but this should be a start. If you have any comments or suggestions, please feel free to add them in the comments or send me an E-mail. Let’s be more creative and efficient and understand how we can work smarter within the limitations of our depression.

The winner for May 2017 was Diane and she asked for a sketch of Ishida from another comic I did way back.

Thank you for all the support shown for me on Patreon and here is a page where you can view all 18 winners so far. Thank you so much!

This rare update to this blog has two Patreon sketches, one for Erin who won for March and one for Eric who won for April. Here are their sketches:

This one is of depressed character #4 for Erin.

This one is of depressed character #2 (Robin) for Eric.

A big thank you to all the supporters on Patreon who make this work possible and allow me to focus more on comics rather than other jobs I’d rather not be doing. You can see all 17 sketches so far here. Thanks once again.

Wow, it’s been a while. But after a while, I finally got someone to claim a prize on the Patreon. Here is a sketch of satellite character #14 for Brian. Thanks a lot for your support, Brian!

Getting people to claim these is harder than I thought …

Three days later and here I am with the next Patreon sketch, this time for Stephen. He requested Wren from depression comix and I was only too happy to oblige, so here we are.

The Patreon page for depression comix is here, and the Patreon sketch gallery is here.

I’m slowly catching up to my Patreon sketch workload, and here is December’s. The winner this time was David, but instead of asking for a depression comix character, he instead asked for a Tomoe Toyosaka, a character who has appeared in other comics I have done.  Congratulations, David! This was a blast to do because I’ve kind of wandered away from the anime style I did in the past so I had to go back to that style.

The January winner has already been announced and I’ve been asked to draw Wren. But if you’re supporting me on Patreon and you win the sketch, remember any character I’ve done is fair game (I wonder if anyone will ask for the mute from Aphasia?)